Thursday, October 16, 2014

Sara J. Henry joins Team Detectives Beyond Borders for Bouchercon 2014 panel

Sara J. Henry has joined the "Beyond Hammett, Chandler, and Spillane: Lesser Known Writers of the Pulp and Paperback Eras" panel that I'll moderate at Bouchercon 2014 in Long Beach, Calif.

Sara is the author of the novels Learning to Swim and A Cold and Lonely Place, the latter of which will be up for the best-novel Anthony Award at Bouchercon. For my panel, she'll discuss Lester Dent, the prolific principal author of Doc Savage, with a few remarks about Charlotte Armstrong, whose A Dram of Poison won the best-novel Edgar Award in 1957.

I met Sara at Bouchercon 2008 in Baltimore, where she made her first big crime-fiction splash when everyone but me mistook her for Sarah Weinman. That's why I'm especially tickled that Sarah Weinman will also be on the panel. (Get a sneak peak at Sara and Sarah here, and see what all the confusion was about.)
==============
Beyond Hammett, Chandler, and Spillane: Lesser Known Writers of the Pulp and Paperback Eras happens at 3 p.m., Friday, Nov. 14, at the Hyatt Regency, Long Beach. Not everyone on the panel is named Sara or Sarah, spent formative years in Ontario, or is haunted by a crime-fiction doppelganger. Max Allan Collins, Charles Kelly, and Gary Phillips will also take part. 

© Peter Rozovsky 2014

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Tuesday, September 17, 2013

Five Bouchercons in pictures and words, plus what I'll do at a sixth

Wandering bridesmaids;
Indianapolis 2009
Oh, sure, you probably think Bouchercon is fun. But I have three 7:30 a.m. breakfast appointments at Bouchercon 2013 in Albany, N.Y., which begins Thursday, and odds are I'll make at least one of them.
Your humble blog keeper
with morose Icelandic
crime writer Arnaldur
Indriðason; Baltimore
2008

While I'm darning my socks and laying out my Sunday best, here are some photos from my five previous Bouchercons, courtesy of Anita Thompson, Ali Karim, and your humble blog keeper.

Your humble blog keeper
with ebullient American
crime writer Christa
Faust; Cleveland 2012

Ali Karim and Jon Jordan,
annual festive post-Bcon
dinner; Indianapolis 2009
This year I'll moderate two panels. On Thursday at 4 p.m., it's "World War II and Sons," with authors James R. Benn, J. Robert Janes, John Lawton, Martin Limón, and Susan Elia MacNeal in a discussion of crime fiction set in wartime and its run-up and aftermath.

Fellow attendees on way to
annual festive post-Bcon
dinner; St. Louis 2011
On Friday at 10:20 a.m., it's Goodnight, My Angel: Hard-Boiled, Noir, and the Reader's Love Affair With Both," with Eric Beetner, Mike Dennis, Dana King, Terrence McCauley, and Jonathan Woods. Sign up, drop in, and come ask some probing questions.

Here's the complete Bouchercon 2013 schedule. If I don't see you there, I'll see you here, with some pictures and posts.

© Peter Rozovsky 2013
 
After Bouchercon, San Francisco 2010

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Friday, September 09, 2011

Win Arnaldur Indriðason's "Hypothermia"

Arnaldur Indriðason and
your humble blogkeeper
at Bouchercon 2008.
Here's a post that has nothing to do with Bouchercon. It's your chance to win a copy of Hypothermia, Arnaldur Indriðason's sixth Inspector Erlendur novel, to be released in paperback in the U.S.A. next month by the good people at Picador.

Among other things, the book offers a neat solution or two to the problem of maintaining what readers like about a series while keeping the narrative fresh.

I will send a copy to the first reader who answers this skill-testing question correctly:

What is the name of the unfamiliar letter in Arnaldur Indriðason's second name?
***
Liz in the Mid-Atlantic United States knew that the ð in Arnaldur Indriðason's second name is the letter eth (its sound is like that of the th in them.) She wins the U.S. softcover edition of Arnaldur's Hypothermia, a fine novel with a cool title. Congratulations, Liz.
***
Read all my posts about Arnaldur. And read my essay about him in Following The Detectives: Real Locations in Crime Fiction.

© Peter Rozovsky 2011

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Friday, February 11, 2011

Why Edgar Allan Poe crossed borders

Here's the sort of unexpected answer I had in mind when I asked yesterday why crime writers set stories overseas:
"`There's something about Poe's work that's not very American. He's not a naturalist. He's not a realist.' The French were ready and waiting for what Poe had to offer: `Maybe it takes an older civilization to feel comfortable with the dark side and be able to enjoy it.'"
That was Poe scholar Shelley Costa Bloomfield one morning bright and early in the town of Baltimore (at Bouchercon 2008). The subject was why the American Poe chose a French hero (C. Auguste Dupin) and setting (Paris) when he invented the detective story, and why the real-life Mary Cecilia Rogers, who disappeared in New York in 1838, became Marie Rogêt, found dead in the Seine in "The Mystery of Marie Rogêt."

That's my favorite reason for setting a crime story abroad. What's yours?
© Peter Rozovsky 2011

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Sunday, October 10, 2010

Icelandic crime update

A post I made at Bouchercon 2009 is just as relevant on the eve of Bouchercon 2010 — more so, perhaps, because I made a prediction then, and in a few days, I may find out if it has come true.
================
At Bouchercon 2008 I asked Yrsa Sigurðardóttir and her husband whether they thought the collapse of Iceland's banking system could mark a turning point in the country's crime fiction. Too early to tell, they said.

At Bouchercon 2009, when the topic turned to Iceland's low crime rate and the challenges this poses to crime writers, Yrsa said that crime had risen in Iceland — financial crime. Her matter-of-fact regard of financial manipulators as criminals was refreshing.

Later, after our panel, Yrsa's husband said burglaries were on the rise in Iceland. Not a great subject for crime writers, one author observed. So, here is my prediction: Some time in the near future, an Icelandic crime author will write a noir novel of a simple burglary, due perhaps to the burglar's economic hardships, that goes wrong and turns into a murder.

================
(Yrsa Sigurðardóttir will be a member of my "Stamp of Death" panel at Bouchercon 2010 in San Francisco, Thursday, Oct. 14, at 3 p.m. The room is Seacliff C, should you happen to be in the neighborhood. Walk-up registration is available.)

© Peter Rozovsky 2010

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Wednesday, May 12, 2010

Crimefest 2010: Blame it on Yrsa

I met Yrsa Sigurðardóttir for the first time at Bouchercon 2008 in Baltimore. While we were there, Iceland's banking system crashed.

We met again at Bouchercon 2009 in Indianapolis, when Yrsa was on my translation panel and everyone's economy had crashed.

Now my attendance at Crimefest 2010 in Bristol next week is imperilled by ash from that damn volcano in Yrsa's damn country. Yrsa, quite naturally, is scheduled to attend the fest.

Here are today's questions: Has any country as small as Iceland ever produced so many good crime writers and so much natural and financial disaster in so short a time? And is it all Yrsa's fault?

And here's the list of Crimefest attendees. It includes Bill James, Colin Dexter, Maxim Jakubowski, Donna Moore, Malcolm Pryce, Martin Edwards, Ruth Dudley Edwards, and many, as the saying goes, more.

I'll join them and provide entertaining and informative accounts, geological upheaval permitting.

© Peter Rozovsky 2010

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Friday, October 16, 2009

Bouchercon II — My translation panel

This Bouchercon is set up a bit differently from the 2008 version in Baltimore, with more panel discussions in each time slot, and most taking place in smaller rooms. Four simultaneous events was the norm in Baltimore; here in Indianapolis there are six or more.

The smaller rooms meant a near-full house for my translation panel with Robert Pépin, Steven T. Murray, Tiina Nunnally and Yrsa Sigurðardóttir. I was especially pleased that the panelists asked questions of one another, which meant good give and take. Nunnally told the too-many-cooks-spoil-the-stew story that led to her removing her name from the British translation of Smilla's Sense of Snow. In this case, one of the cooks was the author.

Robert Pépin had little patience with the suggestion that translation is an art, though his description of his own practice sounded suspiciously like art to me. He was also a bit of a jambon, a lively presence who was the first of the group to comment on another panelist's reply. Happily, the rest followed suit, and we had a real discussion going that ended far too soon. Fifty-five minutes for four intelligent panelists, me, and a roomful of questions? I ask you!

Nunnally's translations include works by Karin Fossum, Mari Jungstedt Hans Christian Andersen, Knut Hamsun, Astrid Lindgren (Pippi Longstocking), and quite a few more. She has also written two mysteries whose protagonist is a translator. I hope to have more to report about the books soon.

© Peter Rozovsky 2009

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Friday, October 09, 2009

Nothing if not diacritical: More conventional wisdom

On the eve (or, if you prefer, the brink or the cusp) of Bouchercon 2009, here are some favorite things that fellow convention-goers have said or written at, about or after my three previous crime-fiction conventions:
=============================

"Chubby Cambodian hotties."

— Christa Faust, Noircon 2008

"A KNOB is a COCK!"

— Ali Karim, Bouchercon 2008

"For years I wrote poems, nothing but poems, and all but about five of them were shite."

— Ken Bruen, Noircon 2008

"Tense vowels don't do a man's reputation any good."

— Don Bartlett, Crimefest 2009
(After I'd worried about pronouncing
Jo Nesbø's name correctly. If "Joe
Nesbow" is good enough for the man
who translates Nesbø's books into
English, at least when he's addressing
an English-speaking audience,
it's good enough for me.)
© Peter Rozovsky 2009

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Thursday, October 08, 2009

Post-convention post: A Bouchercon flashback

I received two books in the mail yesterday to aid in preparation for my Bouchercon panel, then spent a couple of hours writing up questions for the panelists and reading the books. Since that left little time for the new post I like to make every day, here's one of my favorite old ones, from Bouchercon 2008.
================

Lots of people loved Bouchercon 2008, but I bet I was the only one who had such a good time that he came, left and came back again. It all started on a hot, post-boozy Sunday ...

The official part of the conference had wrapped up, and the unofficial part seemed ready to follow. Suitcases littered the hotel lobby, and among them flopped bodies of exhausted convention-goers. I don't know about the rest of them, but my body was subsiding comfortably into the floor, and my mind was close behind.
I had arranged to split a taxi to the train station with a fellow convention-goer, and I looked forward to the peace of the quiet car. I feared only that I'd be roused from sleep in time to get off at Philadelphia and make it back to work Tuesday.

But the train was far more crowded than a train has the right to be on a Sunday afternoon, and we had to grab any seats we could find, quiet car or otherwise. We couldn't find two seats together, but I did get one next to a woman having a family crisis over her cell phone.

By Newark, Delaware, I'd had enough, and I jumped the train. The hour I spent in the cool of a fall afternoon waiting for the next train back to Baltimore and the remnants of Bouchercon was the only chance I'd had all week to read, relax and recharge. But would anyone still be around when I got back to the hotel?

I felt good about my chances when I called Sandra Ruttan on her cell phone, and she couldn't hear me over the noise of the hotel bar. Seventy minutes later, I was back in the lobby feeling as if I'd never left and ready for an evening that was to include two of my most memorable Bouchercon experiences.
(Coming soon: A curious case)
 © Peter Rozovsky 2008

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Friday, October 17, 2008

That's a wrap: Bouchercon in words and pictures

Arnaldur Indriðason's cheerful demeanor belies his country's financial meltdown. That crisis also came up during my discussion with Arnaldur's fellow Icelandic crime writer Yrsa Sigurðardóttir. I asked her if it could become Iceland's JFK moment, a counterpart to the murders of Veronica Guerin in Ireland and Olof Palme in Sweden and a comparable spur to crime fiction. Could economic unrest spark social unrest if vanishing credit makes basic commodities hard to come by, for example?

Her verdict? Too early to tell, though she and her companion said a banker friend of theirs had been harassed in the streets. And, they added, Icelanders lack a tradition of social protest: "We don't demonstrate well."

(Arnaldur Indriðason and your humble blog keeper. Photo courtesy of Ali Karim)
==========================
Jason Goodwin's Edgar-winning novel The Janissary Tree contains tasty, unobtrusive and believable scenes of his protagonist, Yashim, preparing meals. No surprise, then, that Goodwin's Web site discusses the Ottoman culinary tradition, complete with recipes, to which Yashim would have been heir in nineteenth-century Istanbul. No surprise either that Goodwin says the book is "all about cookery," including – well, let's just say for purposes other than preparation of meals.

(YHBK and Jason Goodwin. Photo courtesy of Ali Karim)
==========================
A seafood restaurant near the convention hotels – call it Fishnet – and a brew pub next door were evening resorts of choice for a floating group that included a number of folks you've read about in my Bouchercon reports and elsewhere on this blog (me, Declan Burke, John McFetridge, Donna Moore, Christa Faust, Angie Johnson-Schmit, Stacia Decker, Scott Phillips, Duane Swierczynski, et al.) and some you haven't. (Hi, Anita.) Prominent among the group was Philly Poe guy Ed Pettit, who has made it his mission to get Edgar Allan Poe back to Philadelphia.

I can't reveal what plans were hatched at the pub and restaurant – call it the Bucket o' Bait – but had I been able to score a doggie bag big enough, Poe's body would be back in Philly now.

Hasta Indianapolis!

© Peter Rozovsky 2008

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Thursday, October 16, 2008

The Weinman doppelganger: A Bouchercon mystery

Dave White mentioned the curious case of the Weinman doppelganger. I, too, experienced this strange phenomenon when chatting with a fellow Bouchercon attendee. As we talked, he suddenly looked over my shoulder and said, "Hi, Sarah!" I turned to see a woman looking back at him, dressed in black and appearing puzzled.

I scrutinized her face, her shortish brown hair, and her rangy, athletic figure, and I smiled knowingly. "That's not Sarah Weinman," I told my friend.

"It's elementary, my dear McFetridge," I continued. "The key is the subtle difference between the pronunciations of Sarah and Sara."

For our perplexed companion was not the well-known proprietress of Confessions of an Idiosyncratic Mind, but rather another writer, this one named Sara J. Henry. The case grows still more complicated. Weinman, though living in New York, is from Ottawa. Henry, though living in Vermont, is from Nepean, Ontario, now a part of – Ottawa.

The mystery deepens.

=====================

As I waited to begin the journey that turned into Tuesday's post, a little girl scuttled across the waiting hall at Baltimore's Penn Station, calling, "Mammy, mammy!" But I'd been spending too much time with crime writers, because I at first heard her girlish cries as "Allan Guthrie!"

"I'd be worried about that kid," my travel companion said.

© Peter Rozovsky 2008

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Wednesday, October 15, 2008

Bouchercon 2008: Run by the Jordans, fueled by the Gordon's

Quite a lot happened after my return to Bouchercon Sunday evening. I:

– Enjoyed a convivial al fresco dinner overlooking Baltimore's Inner Harbor and moderated by the amazing Ali Karim. Completing the table were Brian Lindenmuth; Sandra Ruttan; Roger "R.J." Ellory; Jodi Pierce and her husband, J. Kingston; and Linda L. Richards. Roger chose the wine, a white meritage called, appropriately, the Novelist. (Read Brian's not-to-be missed account here. You'll almost hear Ali's voice booming off the old warehouses.)

– Returned to the hotel for the bar-closing noir gabfest described earlier.

(The convivial al fresco dinner. Clockwise from lower left: Ali Karim, me, Linda L. Richards, J. Kingston "Jeff" Pierce, Jodi Pierce, Roger Ellory, Sandra Ruttan, Brian Lindenmuth. Photo courtesy of our waiter.)

– Decided to stay over another night, which led to a post-everything chat with Linda Richards as she waited for her 2 a.m. shuttle to the airport, and to the next day's brief chat with Bouchercon organizers Ruth and Jon Jordan and Judy Bobalik. It was good to be able to thank them for their superb work, and Jon Jordan shed some light on a decision that likely contributed to the event's relaxed, sociable character: Attendees' conference badges identified them simply by name and location. There was no "author," "agent," "editor" and so on. The results will be apparent from the number of ecstatic Bouchercon wrap-ups filling the blogosphere. J. Kingston Pierce offers a welcome guide to those wrap-ups on the Rap Sheet.

So, whence this post's title? It's from Thursday's "Booze and Crime Fiction" session, which Ali wrote about in a rundown of Bouchercon's panels:

"They were excellent, even though my first one where I was moderator on 'Booze and Crime Fiction' was somewhat 'controversial', it turned out to be rather good fun, and I must thank my panelists Con Lehane, Michelle Gagnon, Jason Starr, Ken Bruen and Liz Zelvin. All those who thanked me for the panel, remember it was thanks to the Gordon's gin talking."
Therefore it was no surprise when I walked into the Arnaldur Indriðason party that evening, and Ali offered me a gin and tonic.

(Your humble blogkeeper with Christa Faust, courtesy of Sandra Ruttan.)

Finally, the pub quiz. Bouchercon was such a blast, and the organizers did such a superlative job, that I hate to call attention to one microscopic bump. I will say that when a woman with a cane sat down at our table, I asked her if its end was weighted, since I had a target in mind. (And here's a shout-out to my teammate Angie Johnson-Schmit of In For Questioning, a congenial schmoozing and question-answering companion and one of a dauntingly long list of folks whom it was my absolute pleasure to meet at Bouchercon.)

One of the quiz questions asked each team to draw a hypothetical tattoo for some crime author (I forget which one). Christa Faust was the captain of our team, though perhaps mistress would be more appropriate, and she knows a thing or two about tattoos. She drew our team's entry. We lost. Need I say more?

P.S. We didn't win, but I helped our team clean up in the section on international mysteries.

© Peter Rozovsky 2008

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Monday, October 13, 2008

The big no sleep: Post-Bouchercon miscellany, Part I

My Bouchercon posts are not always the most orderly in the blogosphere. Herein, then, a scattering of highlights that may degenerate into a list of fondly recalled names:

The gift of music. Dana King had commented on my posts about music in crime fiction, suggesting Delbert McClinton when I asked for musicians whose songs made good noir stories. The first day of Bouchercon, despite not having met me before, he gave me a CD of McClinton's songs that he'd prepared.

When the sacred gin mill finally closes. A post-last-call discussion at the hotel bar Sunday night with, among others, master-of-all-noir-trades Eddie Muller, Linda L. Richards and Jodi and J. Kingston Rap Sheet. This one finally broke up when a member of the bar staff offered to put his mop in Eddie's hands so he (the bar guy) could go home and get some sleep.

Muller appeared briefly to consider the swap of professions, which would have made a photo almost as good as the one of him in bed with the rest of the Noircon Five.

Carousing is good. Brainy, funny people are better. Carousing with brainy, funny people may not be the highest form of human activity, but it will sure as hell do until something better comes along.

© Peter Rozovsky 2008

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Bouchercon VI

Tired, so today's post will be shorter than usual.

Nice chat at bar with




about



and








More tomorrow.

© Peter Rozovsky 2008

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Sunday, October 12, 2008

Bouchercon V: One too many mornings ...

... but too few days and evenings to attend all the panels and soak up all the vitality of the event, much less to write about it all. So, a few notes, and expect more such late bulletins and little essays in the coming days. I'll begin with a pair of accolades for a pair of Swedish crime-fiction characters.

A panel Friday bore the amiable title "Books we love." Panelist Ali Karim predicted that Lisabeth Salander, the girl with the dragon tattoo in Stieg Larsson's novel of that name, would become one of this generation' great crime fiction characters.

Lee Child paid even stronger tribute to Maj Sjöwall and Per Wahlöö's great creation: "[Martin Cruz Smith's] Arkady Renko is really Martin Beck. Michael Connelly's Bosch is really Martin Beck."

© Peter Rozovsky 2008

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Saturday, October 11, 2008

Bouchercon IV: All the schmooze that's fit to print

(From left: Declan Burke, Donna Moore, Christa Faust, Sandra Ruttan)

And I hope this one doesn't sound too much like the extended-play version of the "I see ... " routine at the end of Romper Room.

Glenn Harper, the keen critical mind behind International Noir Fiction, arrived at Bouchercon today and mingled with your humble blogkeeper and J. Kingston Pierce of The Rap Sheet. The mingling lasted just long enough for one onlooker to refer to our few square feet of the Sheraton as the center of the blogging universe. I was chuffed, but then, seeing the people whose work one respects is part of the fun of a convention. And being seen is kind of fun, too. People of accomplishment in crime fiction were coming over and introducing themselves to me as if I were a Dagger winner or something.

The schmoozing and boozing is a guilty pleasure, of course. It's fun to hang out with Sandra Ruttan for lunch and lighthearted rehash of old controversies. It's fun to hang out with Scott Phillips and Christa Faust and the Philly Poe Guy.

(Jason Goodwin and Ali Karim)
But the schmoozing has a sneaky way of leaving me awed at the brains and talent of my fellow diners and imbibers. I'd always figured that Stacia Decker must be an editor of taste and judgment. She had, after all, signed John McFetridge and Declan Burke. Then, when I asked her what I should know about Allan Guthrie and Ray Banks, authors of hers whom I had not read, she discussed their work with such precision, brevity and intelligence that I felt I knew not just that they were good, but what they were all about.

I've been a fan of authors, of course, and even of several publishers. Now, for the first time, an editor's name has become a selling point with me.

© Peter Rozovsky 2008

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Bouchecon III

It's not specifically an international-crime-fiction conference, but Bouchercon 2008's second day touched from its beginning directly on a number of subjects often mentioned on this blog. And I do mean from its beginning. I was up, scrubbed, dressed and at an Edgar Allan Poe panel at 8:30 in the morning.

As is always the case with a good conference, much worthwhile stuff happens informally, and I don't mean just drinking and carousing. I hope to devote a post to the informal side of the convention in the next day or two. For now, on with the business at hand (and these reports cover a small selection of the panels on offer. For a full schedule, click here.):

1) The Poe panel, chaired by Philly Poe Guy and Detectives Beyond Borders friend Ed Pettit, focused principally on Poe's centrality in American literature, but Pettit also cited Poe's internationalism, specifically in "The Mystery of Marie Rogêt." Quoth Ed: He's living in Philadelphia, he writes about a crime in New York, he sets it in Paris."

Panel member Shelley Costa Bloomfield said: "There's something about Poe's work that's not very American. He's not a naturalist. He's not a realist." The French, she said, were ready and waiting for what Poe had to offer: "Maybe it takes an older civilization to feel comfortable with the dark side and be able to enjoy it," a statement pregnant with meaning and ripe for future blog posts if I've ever heard one.

2) A panel on "the influence of music on/in writing." John Harvey offered a striking remark or two about his jazz-loving protagonist Charlie Resnick: "I try and get onto the page what he actually hears" – not always an easy task for music much of which is instrumental. "Sometimes he'll listen to Billie Holiday if he's feeling particularly melancholy" or to Lester Young, who suffered much.

Peter Robinson discussed a rather puckish invocation of technology in his Inspector Banks books. Odd things pop up occasionally when Banks' iPod is in random-play mode, Robinson said: "Sometimes a song will perhaps ironically reflect a situation."

3) Michael Genelin, an American who lives in Paris and writes novels set in Slovakia, suggested during a Soho Crime panel that an author writing about a country not his or her own can see things a native would miss because they are so commonplace. Cara Black, who lives in San Francisco and sets her Aimée Leduc novels in Paris, said that city works as a setting because "Many people have their own Paris."

© Peter Rozovsky 2008

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Friday, October 10, 2008

Bouchercon II: Win three signed stories!

The late, lamented Murdaland magazine published tough, beautifully written crime fiction in a sturdy, attractive, well-produced package.

The magazine's no longer around, but you can win a copy of Issue 2 signed by contributors of three of the best stories in this outstanding collection: Scott Phillips, Vicki Hendricks and Henry Chang . All you have to do is name any of the last three winners of either the Edgar or the Dagger award for best short story.

WE HAVE A WINNER! Kerrie in Paradise (that's part of Australia) knew that Martin Edwards won the CWA Short Story Dagger in 2008 for "The Bookbinder's Apprentice" and that Peter Lovesey had won the previous year for "Apprentice." Congratulations, Kerrie, and enjoy this excellent magazine/book.

© Peter Rozovsky 2008

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Bouchercon I: Drinks with ice

Arnaldur Indriðason had just made the intriguing statement that “I am heavily influenced by the Icelandic sagas.” This blog having several times cited the greatest of those sagas, I thought I'd ask him about this.

Arnaldur's presence just a short walk from the main convention hotel here in Baltimore at Bouchercon 2008 made the inquiry painless, and its answer was disarmingly practical. Those medieval sagas, he said, were set down on calfskin, an exceedingly dear commodity at the time, which dictated terse prose style, a style he says he strives to imitate.

His first novel to be translated into English, Jar City (Tainted Blood in the U.K.) took advantage of the peculiar qualities of its setting like no other crime novel that I can think of has (to reveal the details would be a spoiler). It was nice to hear that he uses his country's brilliant literary tradition as well as its geographic isolation in his fiction. It was nice, too, that his publicist or publisher paid for the drinks.

Some other highlights of Day One:

Martin Edwards' account of his introduction to crime fiction at age 9, when was around for the premiere of Murder Most Foul: "Margaret Rutherford arrived by helicopter," Edwards said. Between the clues and the red herrings, he said, he fell in love with the idea of a detective. "That night" -- and he was 9 years old, remember -- "I decided I would one day like to write an Agatha Christie-style mystery." The man is now a Dagger-winning author of two crime series. Would that the rest of us held as true to our ambitions as 9-year-olds.

Ken Bruen's citation of Luke Kelly when asked who he admired among writers who had been bedeviled by alcohol and alcoholism. That superlative, scary talented, demon-possessed, late and much-lamented Irish singer was a superb poet who could have made a career of that pursuit had he chosen to do so, Bruen said.

Beyond that, the event has been a rush of old friends encountered anew as well as face-to-face meetings with a long list of accomplished individuals whom I'd known previously online: Janet Rudolph of Mystery Readers Journal, J. Kingston Pierce and Ali Karim of the Rap Sheet, Gerald So, plus a number of others I will likely remember once I've got some sleep.

The Baltimore Sun has been offering a blogging forum to select guest Bouchercon authors. Click here.

Tomorrow: How in God's name will anyone manage to get up in time for the panels?

© Peter Rozovsky 2008

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