Eight crime writers in the Philadelphia Inquirer

My article on "Eight crime writers worth tracking down" appears in Saturday's Philadelphia Inquirer. This one was close to my heart, a chance to big-up some of my favorite crime writers and their publishers, to put their names before a wider public, and to help out eight authors who suffer the handicap, for a crime writer, of not being from Sweden or Norway.

Readers of Detectives Beyond Borders know them already, but if you're joining us for the first time, the Big Eight are, in alphabetical order:

Declan Burke. Allan Guthrie. Vicki Hendricks. John McFetridge. Adrian McKinty. Scott Phillips. Giorgio Scerbanenco. Charlie Stella.

I recommend all eight as the perfect stocking stuffer. Now, get reading.

© Peter Rozovsky 2012

Lawrence Block at Noircon; Vicki Hendricks on noir; a question for readers

Ace chronicler (hmm, note to self: Write story about bruising, colorfully ethnic detective called Ace Kronicler) Cullen Gallagher posts video of Lawrence Block's acceptance speech upon receiving the David L. Goodis Award at Noircon 2012.

And visit Vicki Hendricks' blog post Noircon 2012 — the best!, where she says, among other things, that

"The definition of noir has broadened in the last several years with writers of any dark villain or alcoholic detective laying claim to the sophisticated French film term, but real noir devotees, as well as expert Otto Penzler, anchor the meaning with classic writers of the 40s and 50s, such as James M. Cain and Patricia Highsmith. For a novel to fall into the noir category, the narrator or point of view character has to be the criminal. Most often these people are undereducated, born into lower economic groups, and demonstrate warped psychology that winds them deeper into the dirt, from start to finish. No happy endings, no series possibilities."

That last point — that noir and series are irreconcilable — came up during a panel discussion at Bouchercon this year. I suggested Ken Bruen's Jack Taylor as a PI who comes close to being a noir character. What do you think? Can a crime series, PI or otherwise, be noir?

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My noir songs program at Noircon happened at the Philadelphia Mausoleum of Contemporary Art. Here's why the exhibit/performance space bears that name:


(Photo by Lou Boxer)

© Peter Rozovsky 2012

Why they're coming to NoirCon

NoirCon 2012 happens in Philadelphia next week. Here's what some of the panelists and honorees have to say about previous NoirCons and about why they'll be at this one. (Read more hosannas for NoirCon here.)

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“My favorite moment was [2010], when Christa Faust ran into the theater a few minutes late for her panel, Butch — her dog — scampering beside her on his leash. She was wearing a red skirt that matched his jacket and had gone to dark hair with a stripe of white to match Butch's coloring. It was the best entrance I've ever seen.

“There were several hilarious moments involving goat fornication, but I'll let someone else tell that story.

“This is my third Noircon. The intimacy of the venue and closeness of the group are what mainly bring me back, as well as the strict focus on noir and quality panels. Also, this year I came to pay my respect to two of my favorite writers, Harry Crews and Larry Brown.”

— Vicki Hendricks

“At the last, lovely NoirCon, I was the Keynote Speaker. The keynote speech, for reasons which only people who love Noir could forgive, was scheduled at an unusually early morning hour. The audience and I had been up late the night before imbibing freely at the sumptuous banquet. In the morning, we were all enveloped in that atmospheric swirl of dislocation and loss of identity by which the art of Noir lives, breathes and propagates. I scarcely had to lift my voice.

“This year, I am stranded in my apartment in Paris (no hardship at all, by the way) by Hurricane Sandy, and will fly in Saturday night to a Greenwich Village which is without electricity, heat, water or phone service. Once again, Noir form is following Noir function. And my four days in New York will be a fine preparation for this year's NoirCon.

“What makes NoirCon different from all other conferences is the genius, enthusiasm, the solid sweat equity, and the real love of Noir its wonderful director and co-founder Lou Boxer has exhibited for the genre, the conference, and all of NoirCon's participants. Our native American art form of Noir – it's the black backside of the American Dream – owes a great deal to this conference.”

— Joan Schenkar

“This is my first Noircon. What attracted me is that I was asked to be the Guest of Honor, and no one could resist that.”

— Otto Penzler

© Peter Rozovsky 2012

Bouchercon II: Win three signed stories!

The late, lamented Murdaland magazine published tough, beautifully written crime fiction in a sturdy, attractive, well-produced package.

The magazine's no longer around, but you can win a copy of Issue 2 signed by contributors of three of the best stories in this outstanding collection: Scott Phillips, Vicki Hendricks and Henry Chang . All you have to do is name any of the last three winners of either the Edgar or the Dagger award for best short story.

WE HAVE A WINNER! Kerrie in Paradise (that's part of Australia) knew that Martin Edwards won the CWA Short Story Dagger in 2008 for "The Bookbinder's Apprentice" and that Peter Lovesey had won the previous year for "Apprentice." Congratulations, Kerrie, and enjoy this excellent magazine/book.

© Peter Rozovsky 2008