Bouchercon 2014 in a few more words and pictures


I've already mentioned my discovery of Dolores Hitchens, Charlotte Armstrong, Roy Huggins, and Ennis Willie in the course of my preparation for the panel, thanks to panelists Sarah Weinman, Sara J. Henry, and Max Allan Collins.
This was an especially rich Bouchercon for new discoveries, and I'm grateful to the panelists who helped me make them. (I intend no slight to the fifth panelist, Charles Kelly. I'd already started reading his author, Dan J. Marlowe, two years before the convention.) And here are a few more photos from Bouchercon 2014, all photos by your formerly humble blog keeper, with the exception of the Double Trouble cover.

Finally, two pics of my Bouchercon peeps and one from after the con. At left, Ali Karim points to the visual welcome from the Hyatt Regency Long Beach. At right/below, Mike Stotter contemplates the world through the prism of David Morrell's Macavity Award for Murder As a Fine Art. Below left, a mammoth reflected in the Lake Pit at the Page Museum/La Brea Tar Pits. The mammoth is a reproduction based on fossil evidence. The oily slick is real. (Read all my Bouchercon posts from before, during, and after the convention.)
© Peter Rozovsky 2014
Labels: Ali Karim, Bouchercon 2014, Bouchercon 2015, Charles Kelly, Gary Phillips, Ingrid Willis, La Brea Tar Pits, Max Allan Collins, Mike Stotter, Page Museum, Sara J. Henry, Sarah Weinman, Stacey Cochran