Brian McGilloway's novels address Northern Ireland's Troubles in striking, though oblique fashion. His story "The Undertaking" gets the upcoming
Belfast Noir collection off to a rousing start. And, in this Detectives Beyond Borders post from a few years back, he offers some thoughts on the personal and the political in Northern Ireland.
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I've pondered in
recent posts Brian McGilloway's interesting choice of a police officer, or Garda, from the Irish Republic as protagonist of his two crime novels, both set along the border between the Republic and Northern Ireland. I've also wondered about the place in the books of the North's bloody sectarian Troubles.
McGilloway, who grew up in Derry in the North, sent a thoughtful reply to my posts that reminded me of what
Matt Rees likes to say when asked if he plans to include Israeli characters in his novels set in the Palestinian territories. No, Rees says, because to do so might lead to unseemly and distracting side-taking.
McGilloway's novels are
Borderlands and the new
Gallows Lane. Without further ado, here's what their author has to say about the personal, the political, the police and the hero of the books, Inspector Benedict Devlin:
"I know you've been questioning the issue of a Northern Irish writer setting his hero in the Republic, then working with the North's PSNI (Police Service of Northern Ireland). The main reason for it, I suppose, was to avoid the political. During the time of writing, policing was still a hot issue in Northern Ireland. I was aware that, as a Northern writer, people would rightly or wrongly look at the books for a political angle on the presentation of the PSNI. By filtering their presentation through Devlin's eyes, it allows Devlin to direct, to some extent, the reader's reactions and makes his response to the PSNI a personal rather than political one. I hope that makes sense.
"In addition, the PSNI was changing so much that, by the time the book would have been published, their presentation would have been out of date. Some Northern Irish politicians still complain if it's discovered that Guards are coming into Northern Ireland — on the ground it's happening much more frequently than people expect, I imagine. I thought that was an interesting and unique angle from which to approach a police procedural.
"And of course the Guards over here have had their own problems recently — considered more fully perhaps in the second Devlin book, Gallows Lane.
"As for the Troubles — I wanted to write a non-Troubles book but, around the Border, it would be unrealistic to assume that they're not there somewhere — thus the only representation of the Troubles in Borderlands is the disembodied voice, talking about the past. It's there, but increasingly insubstantial. Or that was my intention, at least."
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My Belfast Noir: Stories of Mayhem and Murder from Northern Ireland panel at Bouchercon 2014, featuring Gerard Brennan, Paul Charles, Adrian McKinty, and Stuart Neville, happens at 11:30 a.m, Friday, Nov. 14, in the Regency B room at the Hyatt Regency, Long Beach. See you there.
© Peter Rozovsky 2008, 2014
Labels: Adrian McKinty, Bouchercon, Bouchercon 2014, Brian McGilloway, Gerard Brennan, Ireland, Northern Ireland, Paul Charles, Stuart Neville
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