Saturday, August 26, 2017

There goes the bride: A Bouchercon 2009 chase scene

I'm preparing for my two panels at Bouchercon 2017 in Toronto. In the meantime, here's a post about an odd spectacle from Bouchercon 2009 in Indianapolis.
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(Photos courtesy of Anita Thompson)

Our small gang had set out for a late lunch and agent's party at Bouchercon when we met what appeared to be a body of vestal virgins delivering pizza.

"Have you seen a bride?" one of them asked me.

Alas, I had not.

I don't know if they ever found what they were looking for, but Bridesmaid #1 seemed determined to lead the satin-swathed entourage through every park and monument in downtown Indianapolis if she had to.

Later we saw a banquet setting up at the restaurant where we'd gone for the lunch/agent's shindig — a wedding reception, perhaps? — but no bridal party.

Sounds like a mystery to me.

© Peter Rozovsky 2009

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Tuesday, June 06, 2017

A bit about Buchan, new and old

I've turned to the comfort of old-school spy stories in the form of John Buchan's Richard Hannay novels: The Thirty-Nine Steps and, next up, Greenmantle and Mr. Standfast. These novels. a century old now, can seem familiar and comfortably archaic for Hannay's bluff attitude, occasionally shocking (to today's sensibilities) social attitudes, and, at time, acute and even prescient. I'm listening to the books now; here's a post back from when I read them. 

(Buchan, who served as governor general of Canada from 1935 through 1940, will be on the program as "ghost of honor" at Bouchercon 2017 in Toronto.)

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Greenmantle is greatly enjoyable as it enters the homestretch. It's full of disguises, last-second escapes, hair-raising dangers, and all the other things a good thriller is made of. It also feels surprisingly up to date with its assessments of Germany's war aims and its discussions of religious revival in the Muslim world.

Its contemporary feel is all the more noticeable because the book is in so many respects a thoroughgoing product of its time. Without necessarily expressing contempt for commoners, it is shot through with the attitude that war is really a contest between those few, rare men of noble soul and exceptional ability. The German Col. von Stumm is brutal, thuggish and depraved, for example, but the kaiser is a high-minded man whose responsibility weighs heavily upon him.

Buchan is also acutely sensitive to the joys and sorrows of travel. Exhausted and depressed when he reaches Constantinople, the protagonist, Richard Hannay, finds the city "a mighty disappointment. I don't quite know what I expected -- a sort of fairyland Eastern city, all white marble and blue water, and stately Turks in surplices, and veiled houris, and roses and nightingales, and some sort of string band discoursing sweet music. I had forgotten that winter is pretty much the same everywhere. It was a drizzling day, with a south-east wind blowing, and the streets were long troughs of mud. The first part I struck looked like a dingy colonial suburb -- wooden houses and corrugated iron roofs, and endless dirty, sallow children."

Later, however, refreshed, in new clothes, and after an unexpected rescue by an unexpected colleague, Hannay makes this sage observation: "What had seemed the day before the dingiest of cities now took on a strange beauty ... A man's temper has a lot to do with his appreciation of scenery. I felt a free man once more, and could use my eyes."

And the novel's humorous touches, particularly in the form of the American, Blenkiron, are delightful. His bluff manner of speaking will awaken readers to the joys and peculiarities of Americans and the ways they talk.

© Peter Rozovsky 2007

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Monday, November 21, 2016

Detectives Beyond the U.S.-Canada Border

In Stanley Park, Vancouver.
Photo by Linda L. Richards

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Wednesday, April 15, 2015

(Mostly) Humans of Fifth Avenue (Main entrance at 82nd Street), New York

Here are a few more of the non-crime faces I shot in New York on Sunday. From the Metropolitan Museum to Noir at the Bar New York is not a bad way to spend a day.

For reference, here's is that other group I shot.


© Peter Rozovsky 2015

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Monday, February 09, 2015

The non-human factor

Some of my best friends are Homo sapiens sapiens, but one grows weary of one's own genus. That's why I visited the National Zoo in Washington on Sunday (though in the company of a human friend). I saw elephants there, but no donkeys. You may choose to believe that was a coincidence.

The little menagerie presented here even has a bit of crime fiction ambience; one of the animals looks like a small-time hood in a 1950s film noir who knows there's no way out.
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(All photos by your humble animal lover/blogkeeper, Peter Rozovsky.)


© Peter Rozovsky 2015

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Monday, December 22, 2014

Sights and sounds of crime fiction

Sarah Weinman. Photo by Peter Rozovsky
Erik Arneson has uploaded three podcasts (Parts 1, 2, and 3) of the Noir at the Bar readings for which I was MC at Noircon 2014. Readers include Duane Swierczynski, Sarah Weinman, Jonathan Woods, Jon McGoran, and Arneson himself, who weighs in with a killer cat story.

Erik Arneson. Photo
by Peter Rozovsky
I introduced the authors and shot pictures of them as they read.
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Photo by Peter Rozovsky
Over at the Off the Cuff Web site, meanwhile, Dietrich Kalteis and Martin J. Frankson get crowded, bringing in authors Samantha J. Wright and Sam Wiebe for a discussion of short stories and debut novels.  Once again, Dietrich illustrates the post with one of my shadowy shots, this one a late-afternoon view outside an exhibition hall at Bouchercon 2014 in Long Beach.
© Peter Rozovsky 2014

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Tuesday, November 25, 2014

I took some pix on Route 66

I visited no bookshops yesterday, though I did buy the book at right at last night's lodging place, one of America's most fun destinations.

© Peter Rozovsky 2014

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Saturday, November 22, 2014

Detectives Beyond Borders goes back Off the Cuff, with pictures

I'm up once again at Dietrich Kalteis' Off the Cuff, one of my noirish photos illustrating Dietrich's discussion with Martin J. Frankson and their guest, author-filmmaker Glynis Whiting, of how writers do their thing.

Above and right is the photo in question, and here (at left I think) is one of Dietrich that I took at Bouchercon 2014 in Long Beach. The rest are a few shots from Southern California, with signs of habitation by humans and earlier creatures. All photo by Peter Rozovsky, your humble blogkeeper.

© Peter Rozovsky 2014

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Tuesday, November 04, 2014

Detectives Beyond Borders around the world, in the news, and on the Web

I am pleased to have been quoted at length in the Irish Examiner's review of Akashic Books' upcoming Belfast Noir volume of  crime stories. The piece appears under the entirely appropriate headline "`Belfast Noir': Move over Scandinavia, the Irish are the real thrillers ...," and it calls me "an international authority on crime-writing, whose blog ‘Detectives Beyond Borders’ has for many years been the last word on all things noir." Grateful thanks to my Irish peeps, and don't go accusing them of committing blarney. 

Stuart Neville, author
and member of my
Belfast Noir panel.
Photos by your formerly
humble blogkeeper.
I'll discuss Belfast Noir next week at Bouchercon in Long Beach. The panel is called "Belfast Noir: Stories of Mayhem and Murder from Northern Ireland," and it happens at 11:30 a.m., Friday, Nov. 14. I'm not saying I'll buy a pint of Guinness for everyone who shows up, but there's only one way for you to find out.

Paul Charles, also part 
of the Belfast Noir panel
 at Bouchercon.
Over at Dietrich Kalteis' Off the Cuff, which has published a number of my noir photos, I put down my camera to join Dietrich and co-host Martin Frankson for a chat about crime-fiction conferences. Dietrich and Martin talk a bit about how how authors might approach conventions from a business point of view. I talk fun, including a link to the story of the wandering bridesmaids of Bouchercon 2009.
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I took the two author photos at Noircon 2014, the most fun one can have without leaving Philadelphia. Here are two more photos, from the event's concluding program at Port Richmond Books, just before the pierogi-fueled piss-up.

© Peter Rozovsky 2014

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Friday, October 31, 2014

Half-moon over Noircon

Half-moon over Noircon
NoirCon 2014 is up and running, and I am up and staggering, at an unaccustomed morning hour.

This small but perfectly formed noir festival here in Philadelphia really has attracted folks from around the world. Last night at the Mausoleum of Contemporary Art, I met fellow attendees Andrew Nette, from Australia, and Paul Charles, from Northern Ireland via London. Paul will be one my Northern Ireland panel at Bouchercon in two weeks.

Wallace Stroby
Christa Faust, Wallace Stroby
And now,  few Noircon photos to rest your eyes while I festivalize. See you soon.

© Peter Rozovsky 2014

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Thursday, October 30, 2014

Noir at the Bar @Noircon

Sarah Weinman
A few photos I snapped at Wednesday evening's Noir at the Bar, MC'd by the guy who started Noir at the Bar (me), and featuring a roster of twelve readers that included four from the original Noir at the Bar gang, from back in 2008.

Jon McGoran
The evening was part of NoirCon 2014, that other great crime fiction happening that started in Philadelphia. (I think of the two as the Declaration of Independence and the Constitutional Convention of crime fiction.)

Jonathan Woods
More to come!

Oh, and %^%$! Jed Ayres and ^&*$#! Scott Phillips.

© Peter Rozovsky 2014

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Wednesday, October 29, 2014

Welcome, Noirconians!: A photographic guide to Philadelphia

With crowds pouring into town for Noircon 2014, here's a photographic tour of Philadelphia (you know: dark underbelly, the things visitors never see, and all that crap), courtesy of Peter Rozovsky, you humble blogkeeper.

Noircon: It's like the Phillies winning the World Series, but without anyone flipping cars over in the street.



© Peter Rozovsky 2014

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