Into the '50s, with a stop in Japan first

I finished Keigo Higashino's The Devotion of Suspect X last night, and I'm impressed by how Higashino built his story. The book offers not just rationality against emotion, but, among the characters governed by their rationality, mathematics against physics. The head investigator has not just a subordinate with whom he forms an amusing team, but a friend and semi-amateur sleuth who is the real force behind the investigation. All this forms a nice background for a tale of seething emotions and their consequences.

The clues all make sense at the end, and Higashino does a nice job planting details that let me flatter myself when I spotted their significance many pages later.

***

Speaking of emotions, they're spilling out all over the pages of my other recent reading, and not just of one book, either. I've stocked up on American paperback originals from the 1950s, as reissued by Wonder eBooks and Prologue Books, and all I can say is that all that liquor characters drank in the 1920s and '30s and '40s finally started to hit in the 1950s. If the '20s, '30s and '40s were the boozy party of American crime writing, the '50s were the morning after, with the hangover, the empty pockets, the strange bed, the gutter, the torn clothes, and the utter lack of prospects -- not that some American crime writing of the time wasn't pretty funny. Here are a few bits from some of the books I've been browsing trying to decide what to read next:

"She had been somewhere with someone, but she couldn’t quite remember the place or the person. As a matter of fact she had a feeling that she had been a number of places with a number of persons, but she couldn’t quite remember that for certain either."

Park Avenue Tramp, Fletcher Flora

"(I)t it was a small, sad, lovely face of fine structure in which sadness and loveliness would survive as a shadow of themselves after the erosions of gin and promiscuous love and nervous breakdowns."

ibid.

"She was tall, blackhaired, with creamy skin and what I thought of simply as `Mexican' eyes. Dark eyes, soft, big, shadowed eyes with both the question and the answer in them."

The Sleeper Caper, Richard S. Prather

Before you sneer at "Mexican eyes," think about the words that went before: "what I thought of simply as." Sure, Prather has his protagonist, Shell Scott, engage in what some might call ethnic stereotyping and objectification of women today, but by God, he's redeemed by his awareness of what he's doing and by Scott's enjoyment of this Elena's beauty. And who could resist the melodramatic appeal of a pair of eyes that contain not just answers but also questions? Damned efficient, I'd say.

"You never can tell what a big, tough Polish boy will do when he finds a nude blonde in his bathroom."

To Kiss, Or Kill, Day Keene

Goodnight!

© Peter Rozovsky 2012

Canada is funny; Ireland is cheap

Here's one of my favorite bits of humor from Tumblin' Dice:

“Gayle looked at him, slumped in the big leather chair, drinking beer at ten o’clock in the morning, watching himself on tv, the old days, and she was thinking pretty soon they’d have to take him out with a forklift, bury him in a piano box.

“She said, `We can’t have guys running around shooting people all over the place.'

“Danny said, no, sure, that’s right, `But once in a while it’s good.'”

Here's author John McFetridge on "The Hono(u)r Killing in Tumblin Dice."

***

is now $2.99 or £1.95 for Kindle! And, never mind this post's title; Absolute Zero Cool is funny, too. And hard-hitting. Mind-expanding, as well, and totally legal. Here, the novel's author, Declan Burke, holds forth on e-book pricing on the Irish Times website.

© Peter Rozovsky 2012

A bit of reading while you wait

That outside commitment is cutting into my blogging again. In the meantime, here's an interview with Charlie Stella, who offers blunt assessments of American society, current crime writing, and himself.

And here's a link you might like if you've wondered where to start with Scandinavian crime fiction.

Finally, one of this blog's favorite commenters finds herself in some exciting company.

(Just opened my copy, and it appears she's not the only friend of DBB who had a share in this project. Patti Abbott, Loren Eaton, BV Lawson, Sean Patrick Reardon and Sandra Seamans, who has posted a kind word or two at Detectives Beyond Borders, contributed stories as well. Congratulations, gang! I look forward to reading your work.)

And, since this site is about writing by DBB commenters, Dana King's Wild Bill is now available.

© Peter Rozovsky 2011

The Pitch

The Pitch by John McFetridge is one of the odder crime-fiction items floating around the market: four stories based on scripts McFetridge wrote as pitches for three potential television shows.

The stories are about an ex-con and a crime writer who team up to write the ex-con's memoirs, each slipping gradually into the other's old role; a "police procedural about narcotics cops on the Maine-New Brunswick border"; and a Montreal-based story set in 1968 with a KGB agent as the hero.

The genesis and the possible future of the projects are at least as interesting as the stories. Here's some of what McFetridge has to say at his own site:

"I've had this idea for a while to write e-books as if they're TV series -- a `season-long' story arc playing out over 6 or 13 `episodes' but each one also having a self-contained story. Maybe publishing the `episodes' once a month and then also making them available as single collection, like a TV series box set of DVDs."

If that sounds like a television writer talking, it could be because McFetridge has written for TV in addition to his own novels and, according to this collection's interesting and surprisingly upbeat introduction, enjoyed the experience. The Pitch is also a thoughtful consideration of the possibilities e-books offer authors and readers. In this case, the future sounds like a return to the old days of short crime fiction.

The Pitch is available as a Kindle e-book for 99 cents. You can't afford not to buy it.

***

McFetridge was the first person to stage an out-of-town Noir at the Bar crime-fiction reading after I started Noir at the Bar. (The gentlemanly McFetridge even invited me up from Philadelphia to host the event.)  That's why I liked it when the noir-writer co-protagonist of The Pitch's "Pulp Life" stories puts the moves on a writer of cozy mysteries by inviting her to a Noir at the Bar.

And here's how McFetridge describes her:

"Danny looked at her, realized she was taller than he’d thought and then wondered if he’d been thinking of her as a little old lady. She didn’t look little or old, really, she looked the wife in one of those Viagra commercials, smiling a little to herself." 

© Peter Rozovsky 2011

Blasted Heath: Cool name, exciting new e-book "imprint"

Allan Guthrie, author, agent, editor, noir scholar, and e-book evangelist, has now turned publisher, with Blasted Heath,  promising about thirty e-book titles a year.

The initial offerings include Anthony Neil Smith's All the Young Warriors, which humanizes international conflicts in a way that not even Twitter and Facebook can. Two Somali students kill a pair of Minnesota police officers, then flee to their native land to join the fight to liberate it, even though there seems little to liberate the terrified, anarchic country from. Disillusionment, love, and adventure ensue both in Somalia and back home, where an angry cop and the gang-leader father of one of the students team up.

Smith offers chilling descriptions of what religious fundamentalism does to both its targets and its believers, and even more chilling descriptions of Minnesota's winter winds, just what we need as we bid fall goodbye here in the Northeast.  Thanks, A.N.

© Peter Rozovsky 2011

E-books on the march in a new blog, at a new press

One sign that e-books have arrived, or at least that they have their seat backs and tray tables in their full upright and locked positions, is a newish (since March) blog devoted to them.

The blog, Allan Guthrie's Criminal-E, offers short interviews with crime writers whose work is available as e-books. In addition to his own work as an author, Guthrie is an agent and an editor. He knows the business side of books, and the discussions on the blog reflect that knowledge. So, in addition to "Sum up your book in 25 words," "How important is a good title?" and James Henderson on his own strengths and weaknesses, you'll get Roger Smith on e-book pricing,  Christa Faust on "reviews" in the Amazon age, Guthrie himself on pricing and self-publishing, and many, many more.

Looks like a good chance for readers to get authors' perspectives on some important questions — and to learn about some good books.

***

Also in the e-world, there's a new outlet for dark fiction. It's called Snubnose Press ("Compact. Powerful. Classic."), it's brought to you by the folks from Spinetingler Magazine, and it's devoted to publishing stories of 20,000 to 60,000 words that "that could, within the broadest definitions of genre possible, be categorized as crime and horror."

***

FLASH: From Bitter Lemon Press, June 30, 2011:

E-books now have their own page on our site. The eBook catalogue has 20 titles and is growing quickly. The books are available on most platforms, Apple, Sony, Nook, etc. and, via our site or directly, on Kindle. Click here for our list.

© Peter Rozovsky 2011

Shaken: Stories for Japan available now!

Timothy Hallinan, the Japan America Society of Southern California, and twenty talented authors have teamed up to produce Shaken: Stories for Japan,  available now for just $3.99. One hundred percent of the proceeds of this e-book will benefit the society's 2011 Japan Relief Fund.

Contributors include Hallinan, Adrian McKinty,  I.J. Parker, Brett Battles, Cara Black, Vicki Doudera, Dianne Emley, Dale Furutani, Stefan Hammond, Rosemary Harris, Naomi Hirahara, Wendy Hornsby, Ken Kuhlken, Debbi Mack, Gary Phillips, Hank Phillippi Ryan, Jeffrey Siger, Kelli Stanley, C.J. West, and Jeri Westerson.

Most, but not all, of the pieces are crime fiction. McKinty's is a touching account of Matsushima Bay before the March 11 earthquake and tsunami, for example. The book's distribution through Amazon promises prompt release of proceeds, Hallinan says, so buy now. The cause is good, the gratification instant.

© Peter Rozovsky 2011

He wrote the book on e-books

(At right, a page from the world's largest book. No word whether the book is available for download.)

Apropos of recent discussion about e-books and short crime fiction comes this interview with Jay Hartman of Untreed Reads, courtesy of an interested reader.

As you might guess from its name, the company publishes e-books. To this publishing outsider, it seemed that Hartman had much of interest to say. Particularly salutary is the reminder that "market forces" is a deceptively benign term. A market winds up the way it does because of specific actions that people take, or do not take when they could or should have.

Among the highlights:

"Untreed Reads didn't initially set out to have such a large focus on short form, but it just happened and the response has been HUGE.

"The overseas markets are especially hungry for shorts."

and

"Every retailer out there claiming to offer 70% royalties has some catch: the title has to be purchased in the US, the title has to be priced at $2.99 or more, there's a fee for transmitting the story, there's a fee for processing the credit cards ... SOMETHING. And in those cases the author SHOULD be getting the 70%, because the retailers aren't doing any publicity, promotion, marketing or anything else to help them get the word out. They're not designing covers, they're not formatting the title."

and

"Do you know that before Amazon created DTP the average price of an ebook over a ten year span was $5.99 and nobody had any problem paying for it? Then, places like Amazon and Lulu made it possible for anyone to publish their own work. What happened was a huge influx of material into the market filled with poor writing, bad grammar, typos, bad layouts and all sorts of other things that set the ebook industry back years.

"People weren't willing to trust they were going to get good content because they kept picking up titles that were poorly written and filled with flaws. Then, along came $9.99 pricing which only made things worse. Authors, fearing a backlash to both the $9.99 pricing and the badly written stuff that was hurting the industry, panicked and started setting their prices ridiculously low in an attempt to woo back a jaded audience. The result? The market that it is now. The market still has poorly written material that anyone can throw up there, but it also has some of the BEST material to come along in a long time. After all this, it's not the PUBLISHERS who caused anything over $2.99 to be considered expensive, it's the AUTHORS."

© Peter Rozovsky 2010

E-reading in NI

I didn't know when I proofread Garbhan Downey's The American Envoy that the book was something of a landmark in Northern Ireland publishing.

Downey says Guildhall Press is the first Northern Irish publishing house to issue a novel simultaneously in Kindle and printed form and possibly the first in all of Ireland.

In an article he wrote for Verbal: The NI Literary Review, under a headline I'd have been happy to write ("Don't fear the reader"), he's sanguine about a technology and possible business model that have some readers, authors and publishers apprehensive.

To wit:

"Finally, and very importantly, it looks that e-publishing could be good news for writers. Some authors have already negotiated between 50 and 75 percent of the royalties to their digitised books – as opposed to the eight to 15 percent they get from printed volumes.

"In addition, publishing houses will be more inclined to recruit and develop new talent on an “e-book only” basis, as the financial risk to them is much lower.

"And of course, your work can be dispatched instantly to readers across the planet, without any additional cost or haggling with distributors. Just try getting a single US chain to take one hundred copies of your hardcopy novel. You could literally drown in the paperwork."

I was especially interested in the last paragraph. You've seen the debates elsewhere about e-readers. Here I'll ask you to think about what electronic publishing means for books beyond borders, for reading translated work and other literature from outside your own country.

© Peter Rozovsky 2010