Audiobooks: Listening isn't reading, but it will do

The audiobooks I've listened to in the past month and a half:

James McClure: The Blood of an Englishman
John McFetridge: Tumblin’ Dice, Dirty Sweet, Let It Ride, One or the Other, Everybody Knows This Is Nowhere
E.C. Bentley: Trent's Last Case

Donald Westlake/Richard Stark: The Outfit, The Hunter, The Sour Lemon Score, The Man With the Getaway Face, Why Me?, The Hot Rock, Get Real, Deadly Edge, The Green Eagle Score, Good Behavior, Bank Shot, Butcher's Moon, Plunder Squad
P.G. Wodehouse: Psmith in the City, Leave It to Psmith
Adrian McKinty: Gun Street Girl, Rain Dogs
Mick Herron: Dead Lions


Dan J. Marlowe: Four for the Money

John Farrow: City of Ice
Linda L. Richards: Death Was the Other Woman
Jay Stringer: Runaway Town, Old Gold
Michael Gilbert: Smallbone Deceased
Ken Bruen: Calibre
Mike Knowles: Darwin’s Nightmare, Grinder
Andrea Camilleri: Montalbano’s First Case

Plus big chunks of Gibbon and Montaigne, the latter of whom is excellent consolation for problems that include not knowing how to fill one's leisure time.

 ==== 

The first known use of the word audiobook was in 1953, according to Merriam-Webster.

© Peter Rozovsky 2017