Crimefest 2012: Wrap-up and fun facts



(Peter James, James Sallis)

1) As a good chunk of crimeworld knows by now, a seagull shat on Lee Child and three other Crimefest 2012 attendees.

2) James Sallis attended the festival, and he must be a nice guy because everyone referred to him as Jim.

3) Philip Kerr, author of the Bernie Gunther World War II novels, was also on the program, and if I did not mention him earlier, that's an indication of how packed the Crimefest program was with star power. Kerr's Prague Fatale made the shortlist for the CWA Ellis Peters Historical Dagger, announced at Crimefest.

(Peter Guttridge, Philip Kerr)

4) I've already written about my Crimefest encounters with P.D. James and Bill James. Peter James was there this year (he asserted on a panel that crime fiction begins with Sophocles; I reminded him that the much older Epic of Gilgamesh contains considerable elements recognizable as crime fiction. "Good point,"  he said.)

I also renewed my acquaintance with Dan Waddell, one of whose novels is written under the name Dan James. So, parents, if you want your kids to grow up to write crime novels, change their last names to James.

© Peter Rozovsky 2012

P.D. James at Crimefest

(P.D. James in conversation with Barry Forshaw at Crimefest 2012)

I've read very little of P.D. James' work, but I should only be that cheerful, alert, productive, and optimistic when I'm nearing 92 years of age.

"I'm trying to tell the truth about men and women," she said in a guest-of-honor interview at Crimefest 2012. "I try to write well with respect for what I think is the most beautiful and versatile language in the world."

If James' declaration that "The thing about (the Golden Age of crime fiction) is that everyone knew how to write English" sounds stodgy (though I find her sentiment admirable), consider her views on the liberalization of divorce laws in the United Kingdom to benefit women since James' writing career began: "Divorce happens, and it is necessary," she said, "but there is a price." I'd call that an admirably clear-headed, non-Utopian view. Changes in sexual mores can also make life difficult for mystery writers, the Baroness James said:

"In the Golden Age you could consider murder if you were having an affair with your secretary and wanted to avoid exposing it. Nowadays if you have an affair you write about it in the Sunday papers. Motive is very difficult for a modern crime writer."

*

Other revelations of the day included Anne Zouroudi's that the somber, grand, handsome appearance of her mysterious protagonist, Hermes Diaktoros, is based on that of a local bank manager and Peter James' that he was once Orson Welles' housekeeper.

 © Peter Rozovsky 2012

Juicy bits at Crimefest

Sounds better than "pulp."

"Juicy bits" is what they call citrus pulp here in the UK, and I'm probably not the first North American who has enjoyed a salacious snicker at the breakfast table over the expression.

Crimefest 2012 begins this afternoon, and this young crime fiction festival must have arrived. This years's lineup includes Frederick Forsyth, P.D. James, and Sue Grafton, plus more Scandinavians than you could shake a plate of lutefisk at and a passel of old Detectives Beyond Friends, including Declan Burke, Anne Zouroudi, Anders Roslund and Börge Hellström, Chris Ewan, and Michael Stanley.

It was the latter two ("Michael Stanley" is the nom de publication of the writing team of Stanley Trollip and Michael Sears) who suggested a hair dryer and a tiny Phillips screw driver might salvage my camera from a minor aquatic accident suffered on the train yesterday.

Here the Crimefest program, complete with juicy bits. More to come.

© Peter Rozovsky 2012

The Children of Men

Baroness James of Holland Park is probably best known for her novels about Adam Dalgliesh and Cordelia Gray and for the television series based on the former, but I chose her dystopian novel The Children of Men to begin my acquaintance with James.

I'd seen the 2006 movie based on the novel, and I begin the book curious about why the movie changed the cause of the impending end of human reproduction. (It's mass male infertility in the book, female infertility in the movie -- a commercially wise decision, perhaps, given that men are said not to read books anymore. Who wants to pick up a book and get blamed for the impending extinction of humanity?)

The novel's strength in its opening chapters is the matter-of-fact first-person narration by a historian named Theodore Faron, who begins a diary of his middle age with the news that the last known human being to have been born on Earth has died. Oddly enough, the world has managed to continue on its way for two decades after the end of human fertility, and Faron's diary is as personal and idiosyncratic as diaries are supposed to be, yet full of chilling details. I'll leave you with my two favorite, then go back to my reading:

"History, which interprets the past to understand the present and confront the future, is the least rewarding discipline for a dying species." 

and

"It was in that year, 2008, that the suicides increased. Not mainly among the old, but among my generation, the middle-aged, the generation who would have to bear the brunt of an ageing and decaying society’s humiliating but insistent needs."

© Peter Rozovsky 2012

From the mouths of ladies, poets and dogs

The Lady is Baroness James of Holland Park, also known as P.D. James; the dog is J.F. Englert's Randolph, narrator and reflective co-protagonist of three novels; the poet is W.H. Auden, and I've come across interesting words from each recently on the appeal of mysteries.

Englert, via Randolph, gives us this in A Dog About Town:

"W.H. Auden ... He too had faced a New Year filled with doubt and dark musings—the New Year 1940 when a great war loomed over the world. ... His words now flowed through my mind, a sad and graceful music:

The situation of our time
Surrounds us like a baffling crime.
There lies the body half-undressed
We all had reason to detest.
And all are suspects and involved
Until the mystery is solved.

And under lock and key the cause
That makes a nonsense of our laws ... "

James' Talking About Detective Fiction has any number of observations that will compel further reading, and that's based just on a short foreword and the first chapter. To wit:

"Because of its resilience and popularity, detective fiction has attracted what some may feel is more than its fair share of critical attention, and I have no with to add to, and less to emulate, the many distinguished studies of the last two centuries."

and

"So what exactly are we talking about when we use the words `detective story,' how does it differ from both the mainstream novel and crime fiction, and how did it all begin?"

© Peter Rozovsky 2010