More on Mike Knowles' literary caffeine jolts

I'm making my way through Mike Knowles' Wilson novels at a good clip. I read Darwin's Nightmare and Grinder earlier this week, and I thought I'd post a few thoughts before going back and finishing In Plain Sight, the third in the series (A fourth book, Never Play Another Man's Game, is due in the spring.)

• Readers who like Richard Stark's Parker might like these books. Same with readers of Andrew Vachss' Burke novels or Mickey Spillane. The books might also appeal to fans of The Fugitive or Ghost Dog: Way of the Samurai.

• The books demonstrate that the tried-and-true hardboiled gambit of describing urban change and decay has life left in it. Knowles' descriptions -- of Hamilton, Ontario -- work better than many because Wilson, a tough, free-lance fixer and investigator who works for criminals, gets behind the faded doors and shabby facades and meets the people urban exodus has left behind.

• Wilson inhabits a violent world, but Knowles can write cold, cruel, heart-rending scenes without having his characters resort to physical violence.

• Knowles is good on the psychological and temperamental flaws and strengths of his characters.  Igor, a violent, unhinged, impotent Russian gangster, is not nearly as funny as that description makes him sound.

A final thought: the three books have Wilson on the run from a series of nemeses, sticking to the outsider's role that appeals both to him and to the criminals (or cops) who put him to work. He plays off one set of dangerous characters against another. He reflects on the harsh but vital lessons he learned from his criminal uncle.  The books so far are like caffeine jolts, but how long will Knowles be able to keep up the energy?     What will he do to keep the series fresh?

© Peter Rozovsky 2012

Meet Mike Knowles

Mike Knowles' Wilson is a bit like Richard Stark's Parker, and that's not a bad thing to be.

But the differences between the two one-named heist planners are more interesting than the similarities. Wilson is not nearly as distant a figure as Parker, for one thing, in large part because he's the novels' first-person narrator as well as their protagonist. And Knowles, through Wilson's eyes, explores supporting characters', er, character, more than Stark/Parker ever does.

My previous blog posts about Knowles have titles that include "More in Mike  Knowles' literary caffeine jolts" and "Darker than Parker," which may give you some idea of what you're in for.

Never Play Another Man's Game is the most recent of the four Wilson novels, preceded by Darwin's Nightmare, Grinder, and In Plain Sight. The latter three are available in an omnibus edition.

Read an excerpt from Another Man's Game.

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Speaking of Richard Stark (Donald Westlake), today would have been his seventy-ninth birthday. Here's a video tribute from friends and collaborators to the creator of Parker, Dortmunder, Grofield, and the screenplays of The Grifters and The Stepfather. And here are four posts I put up about Westlake after he died on New Year's Eve, 2008.

© Peter Rozovsky 2012

My first seven audio crime books

Audiobooks are a cool medium: They don't compel engagement the way a real printed book does; one drifts in and out or does other things, the reading fading into background music. So here's a fragmented discussion of my first batch of audiobooks, appropriate to their fragmented medium:

1) Gun Street Girl and Rain Dogs, by Adrian McKinty. The author is a friend. He's also one of the very best of all crime writers, far beyond silly discussions about whether crime fiction can be serious literature. His probing, funny, beautifully written novels are unafraid to use traditional crime fiction forms, including the locked-room mystery. Whichever crime writer you're reading, McKinty is better.

2) Grinder and Darwin's Nightmare, by Mike Knowles. Some of the most exciting and intelligent action stories you're likely to read, exciting because they're intelligent and intelligent because they're exciting.  Readers who like Richard Stark's Parkerd novels or "Ghost Dog: Way of the Samurai" might like these.

3) One or the Other and Everybody Knows This Is Nowhere, by John McFetridge. No one better and more seamlessly combines character, story, and history, in this case that of Montreal and Toronto in the 1970s and '80s.

4) Montalbano's First Case, by Andrea Camilleri. Among the delights of this short-story collection is one harrowing meta-fiction that at once demonstrates Camilleri's ability to write hyper-violence and shows why he chose not to do so.

© Peter Rozovsky 2017

In sight or out of sight: What's the best way to be a fictional detective?

"You have to be able to walk around in plain sight. What I’m talking about is being invisible in front of everyone’s eyes. You have to learn to be a ghost, and not like Casper. I mean fucking gone. ... Only your words will make you invisible. You got to make people uncomfortable, make them want to look somewhere else. And I’m not talking about the ‘Fuck you’ shit you tried. When you want to stay invisible, you have to use remarks that put people on the defence. Put something mean and uncomfortable out there, then fade back. People will be glad to ignore you then."

— Mike Knowles, In Plain Sight

"Yes, and your office should be in a Georgian or very modernistic building in the Sunset Eighties. Suite Something-or-other. And your clothes should be jazzy, very jazzy indeed, Steve. To be inconspicuous in this town is to be a busted flush."

— Raymond Chandler, "The King in Yellow"

© Peter Rozovsky 2012

Audiobooks: Listening isn't reading, but it will do

The audiobooks I've listened to in the past month and a half:

James McClure: The Blood of an Englishman
John McFetridge: Tumblin’ Dice, Dirty Sweet, Let It Ride, One or the Other, Everybody Knows This Is Nowhere
E.C. Bentley: Trent's Last Case

Donald Westlake/Richard Stark: The Outfit, The Hunter, The Sour Lemon Score, The Man With the Getaway Face, Why Me?, The Hot Rock, Get Real, Deadly Edge, The Green Eagle Score, Good Behavior, Bank Shot, Butcher's Moon, Plunder Squad
P.G. Wodehouse: Psmith in the City, Leave It to Psmith
Adrian McKinty: Gun Street Girl, Rain Dogs
Mick Herron: Dead Lions


Dan J. Marlowe: Four for the Money

John Farrow: City of Ice
Linda L. Richards: Death Was the Other Woman
Jay Stringer: Runaway Town, Old Gold
Michael Gilbert: Smallbone Deceased
Ken Bruen: Calibre
Mike Knowles: Darwin’s Nightmare, Grinder
Andrea Camilleri: Montalbano’s First Case

Plus big chunks of Gibbon and Montaigne, the latter of whom is excellent consolation for problems that include not knowing how to fill one's leisure time.

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The first known use of the word audiobook was in 1953, according to Merriam-Webster.

© Peter Rozovsky 2017

Darker than Parker

Mike Knowles, author of four novels about a criminal mercenary and off-the-books investigator named Wilson, told an interviewer  a few years ago that

"For a while, I had been noticing that most popular crime fiction was starting to narrow its focus. There were a lot of do gooder reporters, police procedurals, and smart talking private eyes. What there weren’t enough of were the mean, pulpy, hard-boiled crime novels I read as a kid. I set out to write the kind of book it was getting harder to find."

I've just found his books, and I can tell you that the action never stops. Wilson is always in motion: on the job, evading pursuers, recovering from injuries, planning his next move.  He's a bit like Mike Hammer but without the hyperventilating political rants. He's darker than Richard Stark's Parker, as if Parker had descended a circle or two into the world where Andrew Vachss' Burke lives. And he and his creator are Canadian! I'm proud that my polite, self-effacing native land has given the world such dark, action-filled crime writing.

I've read Darwin's Nightmare and a good piece of Grinder. In Plain Sight is up next, and Never Play Another Man's Game is out this spring. If you can wait until May, Knowles's publisher, ECW, will release an omnibus edition containing the first three books.

© Peter Rozovsky 2012