The Concrete Flamingo, a.k.a. All the Way, by Charles Williams
Nothing in Her Way remains the best of the five Charles Williams novels I've read in recent weeks, but each of the other four has impressed me. A Touch of Death, especially, is almost as good as Nothing ... . The Diamond Bikini wins points because it's not just a comedy, but one that manages not to condescend to its rural setting.
The Concrete Flamingo (1958), also published as All the Way, is not rural, and it's no comedy. But, like The Diamond Bikini, it demonstrates the author's versatility and sheer professionalism.
In bare outline, The Concrete Flamingo sounds like many mid-century paperback original novels: Down-on-his-luck but handsome man falls for woman who involves him in a plan to kill, steal, or both, and violent or tragic complications ensue.
The intricate plot works itself out nicely and with high suspense. No surprise there; Williams has to have been one of the better plotters who has ever written crime fiction. What impressed me most, though, was the plot's unexpected resolution. To avoid spoilers, I'll say no more. But I admire Williams for taking the chance that he did.
© Peter Rozovsky 2015
The Concrete Flamingo (1958), also published as All the Way, is not rural, and it's no comedy. But, like The Diamond Bikini, it demonstrates the author's versatility and sheer professionalism.
In bare outline, The Concrete Flamingo sounds like many mid-century paperback original novels: Down-on-his-luck but handsome man falls for woman who involves him in a plan to kill, steal, or both, and violent or tragic complications ensue.
The intricate plot works itself out nicely and with high suspense. No surprise there; Williams has to have been one of the better plotters who has ever written crime fiction. What impressed me most, though, was the plot's unexpected resolution. To avoid spoilers, I'll say no more. But I admire Williams for taking the chance that he did.
*****
The Concrete Flamingo does, indeed, include a concrete flamingo, but All the Way is a more suitable title. I don't know why or when the title was changed, but it's hard not to suspect the publisher of trying to capitalize on Ross Macdonald's popularity. The Concrete Flamingo sounds as if it should be a Macdonald title. (The cover of the edition included here is unusually faithful to the novel's plot, though I don't recall that any of the book's cars were green. )© Peter Rozovsky 2015
Labels: Charles Williams, paperback originals, Ross Macdonald, The Concrete Flamingo




