"Whatever You Say, Say Nothing"
That poem has been cited often since yesterday for what its title came to exemplify about the sectarian divide's effects on Northern Ireland. But it hits home with me for its jaded view of the reporting segment of my profession, of the ballet of stock phrases and replies in which reporters engage with the man in the street and that, by the numbing effect of constant repetition, ceases to have anything to say about anything, much less something so serious as a civil war fought in the streets.
With an English journalist in search of 'views
On the Irish thing'. I'm back in winter
Quarters where bad news is no longer news,
Where media-men and stringers sniff and point,
Where zoom lenses, recorders and coiled leads
Litter the hotels. The times are out of joint
But I incline as much to rosary beads
As to the jottings and analyses
Of politicians and newspapermen
Who've scribbled down the long campaign from gas
And protest to gelignite and Sten,
Who proved upon their pulses 'escalate',
'Backlash' and 'crack down', 'the provisional wing',
'Polarization' and 'long-standing hate'.
Yet I live here, I live here too, I sing,
Expertly civil-tongued with civil neighbours
On the high wires of first wireless reports,
Sucking the fake taste, the stony flavours
Of those sanctioned, old, elaborate retorts:
'Oh, it's disgraceful, surely, I agree.'
'Where's it going to end?' 'It's getting worse.'
'They're murderers.' 'Internment, understandably ...'
The 'voice of sanity' is getting hoarse.
© Peter Rozovsky 2013