NoirCon 2008: The Big Wrap-up

The program at NoirCon 2008 also included enough editors, publishers, podcasters, professors, scholars, screenings (and screenwriters), forensic sculptors and cold-case specialists to keep the old synapses crackling long after logic dictated that I should have been asleep.

The final event, for those still in town and not exhausted by the late nights, was Sunday afternoon's screening of Deadline U.S.A. in conjunction with the Philadelphia Film Festival. That 1952 Humphrey Bogart classic was one of two movies that the festival screened as part of NoirCon, along with the over-the-top Blast of Silence, from 1961.
I'll be back tomorrow after a good night's sleep, perhaps to offer another detail or two. Until then, why not visit the NoirCon home page and check out the podcasts and the links to the panelists' Web sites? You'll find material sure to expand your mind and your to-read list.
© Peter Rozovsky 2008
Labels: conventions, NoirCon, NoirCon 2008
2 Comments:
Thanks for your reports from Noir Con this past weekend, Peter! I enjoyed hearing your take on the ins and outs of the convention and its notable events and personalities. Next best thing to being there -- maybe in 2009, perhaps.
Hope you can get some needed rest.
Cheers,
BV
You're welcome. Fortunately I have two days off after the convention and before I return to work, so I should be able to recover.
I hope you can make it to the next one. This was the first crime-fiction gathering I had been to, and people are saying it was the best they had ever attended. Here's another report on the con that you might like. And you should check out her books and her Web site, too.
My own comments are not exhausted. Things I picked up there have already sent my thoughts off in new directions, which should result in a few more posts.
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